An exclusive behind-the-scenes look “Nosferatu,” Robert Eggers’ gothic tale of obsession. Now playing exclusively in theaters.

Described as an “emotionally charged narrative with chilling, franchise-ready mythology,” set in the vein of Talk to Me and Smile. Plot TBA.

Drawing from over 100 hours of previously unseen archival footage, director Brett Morgen tells the story of JANE, a woman whose chimpanzee research revolutionized our understanding of the natural world. Set to a rich orchestral score from legendary composer Philip Glass, the film offers an intimate portrait of Jane Goodall— a trailblazer who became one of the world’s most admired conservationists.

An internally neurotic but externally charismatic lothario crosses paths with a lesbian who's just as guilty of objectifying women as him.

Ice Cube discusses his acting process on the set of "Three Kings" in this satirical poke at actors’ pretensions.

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A 42-minute making-of documentary, "Inside 'Inside Llewyn Davis,'" produced and directed by David Prior. A number of cast and key crew people are interviewed, but, not surprisingly, the Coens, music supervisor T-Bone Burnett, and lead Oscar Isaac dominate the proceedings.

Prison inmate Miles Barrett is ripped awake in the middle of the night by a terrifying crash, gunfire, and the sickening screams of a man being torn apart. Something is loose in the prison - and it's coming for Miles...

剧情细节严格保密。据悉，这是一部超自然惊悚片，讲述了一个人被困于神话生物之中的故事。

An uncredited Jean-Luc Godard produced this 1997 third feature by the singular American independent Rob Tregenza, and along with Hungarian filmmaker Bela Tarr, Godard is certainly a presiding guru over this powerful if enigmatic view of life in and around a psychiatric hospital somewhere in rural, snowbound America. Shot by Tregenza himself (one of the best cinematographers on the planet) in black-and-white 35-millimeter ‘Scope — mainly in extremely long, choreographed takes that transpire with a minimum of dialogue but with an extremely inventive and original Dolby sound track — the film offers not so much a plot in the usual sense as a series of interlocking characters and events governed, like the film’s title, by polarities: sound and image, interior and exterior, sanity and madness, freedom and institutional captivity, society and isolation. According to clues planted in the clothes and decor (especially the cars), the action begins around 1945 and ends in the present or near future, but to confuse matters further the characters and their behavior remain unaging constants. Tregenza’s background in existential philosophy serves him well: every shot comprises an event, and most of them were shot only once, in a single take, allowing change and contingency to shape the material. Art conceived as both adventure and confrontation, Inside/Out requires a certain amount of creative energy from the audience but grandly repays the effort.